Clik here to view.
Turkey Shoot (1982, Brian Trenchard-Smith)
Turkey Shoot is a peculiarly charmless bit of trash. It’s a Most Dangerous Game story with multiple potential victims, prisoners of the state in a dystopian future. Their hunters consist of an evil...
View ArticleClik here to view.
Mad Max 2 (1981, George Miller)
Mad Max 2 might be the perfect example of pure action. Besides a couple extended dialogue moments–maybe the only times Mel Gibson’s protagonist gets to talk without Brian May’s music over him or just...
View ArticleClik here to view.
Snapshot (1979, Simon Wincer)
Snapshot is one half middling coming of age melodrama and one half not scary thriller. The picture opens with a burnt-out building and a corpse, then goes back to explain. Director Wincer isn’t playful...
View ArticleClik here to view.
Mad Max (1979, George Miller)
While the low budget undoubtedly plays a hand in it, Mad Max is the epitome of narrative efficiency. It should have a big concept–a slightly post-apocalyptic future (but people still vacation and get...
View ArticleClik here to view.
Turkey Shoot (1982, Brian Trenchard-Smith)
Turkey Shoot is a peculiarly charmless bit of trash. It’s a Most Dangerous Game story with multiple potential victims, prisoners of the state in a dystopian future. Their hunters consist of an evil...
View ArticleClik here to view.
Mad Max 2 (1981, George Miller)
Mad Max 2 might be the perfect example of pure action. Besides a couple extended dialogue moments–maybe the only times Mel Gibson’s protagonist gets to talk without Brian May’s music over him or just...
View ArticleClik here to view.
Snapshot (1979, Simon Wincer)
Snapshot is one half middling coming of age melodrama and one half not scary thriller. The picture opens with a burnt-out building and a corpse, then goes back to explain. Director Wincer isn’t playful...
View ArticleClik here to view.
Mad Max (1979, George Miller)
While the low budget undoubtedly plays a hand in it, Mad Max is the epitome of narrative efficiency. It should have a big concept–a slightly post-apocalyptic future (but people still vacation and get...
View ArticleClik here to view.
Turkey Shoot (1982, Brian Trenchard-Smith)
Turkey Shoot is a peculiarly charmless bit of trash. It’s a Most Dangerous Game story with multiple potential victims, prisoners of the state in a dystopian future. Their hunters consist of an evil...
View ArticleClik here to view.
Mad Max 2 (1981, George Miller)
Mad Max 2 might be the perfect example of pure action. Besides a couple extended dialogue moments–maybe the only times Mel Gibson’s protagonist gets to talk without Brian May’s music over him or just...
View ArticleClik here to view.
Snapshot (1979, Simon Wincer)
Snapshot is one half middling coming of age melodrama and one half not scary thriller. The picture opens with a burnt-out building and a corpse, then goes back to explain. Director Wincer isn’t playful...
View ArticleClik here to view.
Mad Max (1979, George Miller)
While the low budget undoubtedly plays a hand in it, Mad Max is the epitome of narrative efficiency. It should have a big concept–a slightly post-apocalyptic future (but people still vacation and get...
View ArticleClik here to view.
Turkey Shoot (1982, Brian Trenchard-Smith)
Turkey Shoot is a peculiarly charmless bit of trash. It’s a Most Dangerous Game story with multiple potential victims, prisoners of the state in a dystopian future. Their hunters consist of an evil...
View ArticleClik here to view.
Freddy’s Dead: The Final Nightmare (1991, Rachel Talalay), the home video...
For the first third of Freddy’s Dead, I blamed Lisa Zane’s bad performance on Talalay’s truly awful direction and Michael De Luca’s lame, if enthusiastic, screenplay. During the middle third, when the...
View ArticleClik here to view.
Mad Max 2 (1981, George Miller)
Mad Max 2 might be the perfect example of pure action. Besides a couple extended dialogue moments–maybe the only times Mel Gibson’s protagonist gets to talk without Brian May’s music over him or just...
View ArticleClik here to view.
Snapshot (1979, Simon Wincer)
Snapshot is one half middling coming of age melodrama and one half not scary thriller. The picture opens with a burnt-out building and a corpse, then goes back to explain. Director Wincer isn’t playful...
View ArticleClik here to view.
Mad Max (1979, George Miller)
While the low budget undoubtedly plays a hand in it, Mad Max is the epitome of narrative efficiency. It should have a big concept–a slightly post-apocalyptic future (but people still vacation and get...
View ArticleClik here to view.
Mad Max 2 (1981, George Miller)
Mad Max 2 might be the perfect example of pure action. Besides a couple extended dialogue moments–maybe the only times Mel Gibson’s protagonist gets to talk without Brian May’s music over him or just...
View ArticleClik here to view.
Snapshot (1979, Simon Wincer)
Snapshot is one half middling coming of age melodrama and one half not scary thriller. The picture opens with a burnt-out building and a corpse, then goes back to explain. Director Wincer isn’t playful...
View ArticleClik here to view.
Mad Max (1979, George Miller)
While the low budget undoubtedly plays a hand in it, Mad Max is the epitome of narrative efficiency. It should have a big concept–a slightly post-apocalyptic future (but people still vacation and get...
View Article![Cloonee, Yandel & ATLAC – Movimiento – Single [iTunes Plus M4A]](http://i.imgur.com/Q8tO40p.jpeg)
